153. Dokken / Breaking The Chains. 1982. 3/5.

The opening of the Dokken career is a strange one, with a difficult birth and then a just as difficult re-birth, along mixed in with the feeling that there was something here to work with. All in all in was a confusing couple of years in order to get the start they wanted.
The album was initially released as Breakin' the Chains under the moniker of Don Dokken in Europe. When it was eventually released in the US it was marketed under the Dokken banner as Breaking the Chains, with completely changed cover art, as well as having some of the songs remixed and even re-ordered on the album itself. It also managed to change the title of two of the songs. “We’re Illegal”, which initially was the closing song on side one of the album was rebranded as "Live to Rock (Rock to Live)" on the US version, though it retained its position as the end track of side one. Also the opening track to side two on the original release was “Paris”. However, on the US release, not only has it been moved to be the final track, it is also a live version of the song recorded in 1982, and is now titled “Paris is Burning”. This is actually one of my favourite songs from the album, and it is an improvement on the studio version of the initial release, most likely from the extra energy it gains from the live setting.

“Breaking the Chains” is a great opening song to the band and the album. It highlights most of what makes Dokken the band they became. A solid rhythm of drums and bass provided by Mick Brown and Juan Croucier, Don Dokken’s terrific vocals and George Lynch’s outstanding individualistic guitar work. It’s easily catchy and makes an immediate impression.

As for the rest of the album? In the main, apart from the title track and “Paris is Burning”, this is a straight up hard rock album that does the good things well without as much flash and glint as you might expect listening to the albums that followed this. “In the Middle” and “Nightrider” and “Seven Thunders” are all good songs, but there is nothing that jumps out at you and grabs you about them. The beat and rhythm stay intact, and the lyrics are simple but effective. George does a great job, but there is certainly none of the amazing stuff that he produced later on. It’s all very straight forward, and while there is absolutely nothing wrong with that, it just makes for an average album rather than a great album.

Rating:  “Take a good look around you”.  3/5